Review: X-Men: Days of Future Past (12A) *****

Michael Fassbender returns as Magneto in X-Men: Days of Future Past. Pic: AP Photo/20th Century Fox, Alan Markfield
Michael Fassbender returns as Magneto in X-Men: Days of Future Past. Pic: AP Photo/20th Century Fox, Alan Markfield
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PAST and present collide in a hazy blur in a muscular sequel, which ushers Bryan Singer back into the director’s chair for the first time since X-Men 2 in 2003.

Familiar faces and new additions to the mutant fold jostle for attention in Simon Kinberg’s script, which indulges in a spot of time travel to strengthen ties between the X-Men and Wolverine franchises.

Days Of Future Past delivers on the eye-popping spectacle including a breathtaking slow-motion action sequence in which a mutant (Evan Peters), who can move at superhuman speeds, diverts the trajectory of bullets before they reach the intended targets.

There is plenty of soul-searching too for the characters, who must make personal sacrifices for the greater good if the mutant race is to survive a sustained assault by hulking robotic hunters.

In a dystopian 2023, Professor Charles Xavier (Patrick Stewart) and his kin including Magneto (Ian McKellen), Wolverine (Hugh Jackman), Storm (Halle Berry) and Iceman (Shawn Ashmore) stand on the precipice of extinction.

The Sentinel programme, conceived by scientist Dr Bolivar Trask (Peter Dinklage), has almost wiped out the mutant 
population.

One glimmer of hope remains and while Xavier and co prepare to fight the Sentinels, Wolverine’s consciousness slips back to flare-trousered 1973 where he seeks out young Professor X (James McAvoy), Beast (Nicholas Hoult) and Magneto (Michael Fassbender).

X-Men: Days Of Future Past is a solid and highly enjoyable chapter that doesn’t get too bogged down in bamboozling science, letting protagonists do the talking with their claws and amazing abilities.

Jackman’s hirsute brawler provides the narrative glue between parallel time frames and he shamelessly panders to fans with some gratuitous nudity.

McAvoy and Fassbender trade physical and verbal blows while Oscar-winner Lawrence performs impressive gymnastic feats in figure-hugging blue make-up that leaves little to the feverish imagination.

The blitzkrieg of slick digital effects melds seamlessly with live action elements. A tantalising end teaser hints at what fans can expect from X-Men: Apocalypse in 2016.