Review: Wonderland
In this musical from Frank Wildhorn, Alice is a single parent, the mother of older-than-her-years teenager Ellie.
Living in a high rise block, she is experiencing the worst day of her life and desperate to escape the ‘real’ world.
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Hide AdThey say you should be careful what you wish for, and so, with a little help from a magical White Rabbit, an ‘out of order’ lift (there’s no rabbit hole) and Jack, the besotted downstairs neighbour, Alice and Ellie embark upon an adventure in Wonderland.
There, a trip through the Looking Glass will allow each to discover the part of themselves they hide. If only Alice can pluck up the courage to follow Ellie and Jack through.
A story of self-discovery then, just like the Tin Man, Cowardly Lion and Scarecrow in the Wizard of Oz, each must discover who they really are.
Timid Jack, a charismatic performance from Stephen Webb, is transformed into a valiant hero, while Naomi Morris, as Ellie, brings comedy, truth and beautiful vocals to her now stroppy creation.
But will Alice follow suit?
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Hide AdKerry Ellis gives a gutsy yet sympathetic reading of the role, receiving great support from Natalie McQueen as the Mad Hatter - McQueen’s rendition of I Will Prevail is a highlight.
Likewise, when Ellis teams up with West End legend Dave Willetts, an ethereal White Rabbit, to duet on This Is Who I Am, the production soars to another level.
Former Coronation Street star Wendi Peters, meanwhile, makes the most of her limited stage time - she has just two scenes - bringing a wonderfully grotesque cartoon-like quality to her tart loving Queen of Hearts.
So where does it all tumble down? Design-wise, the promising psychedelic vibe is muted by lack-lustre costumes. The storytelling is clunky, score is samey, crucial sound and lighting cues are often late and choreography is scrappy. Frequently there’s a ‘work in progress’ feel to proceedings.
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Hide AdThat said, the performances alone are engaging enough to make Wonderland worth seeing and if it sticks to its own ethos - believe in yourself and be all you can be - perhaps once this production has ‘gone through the ‘Looking Glass’ a few times itself, it will do just that, and become the show it has the potential to be.
Run ends Saturday