Two portraits now on display at National Museum of Scotland provide a glimpse of clan life
The paintings now on display at the National Museum give a glimpse into clan society.
Two portraits of important members of the Chief of Clan Grant’s household are now on display in the National Museum of Scotland.
Museum chiefs said the paintings of figures in full Highland dress give a true insight into clan life.
The ‘Champion’ is Alasdair Mòr Grant, the strongest fighter in the clan, who managed the Laird’s timber business. His combined roles hint to a changing clan society as the shift in land use saw Highland chiefs become landlords.
The ‘Piper’ is William Cumming who was from at least seven generations of Cummings pipers to the Grants. He flies the heraldic banner of the Grants, with Castle Grant in the background.
‘The Piper’ and ‘The Champion to the Laird of Grant’ are now on display in the Scotland Transformed gallery at the museum on Chambers Street.
They accompany objects relating to the Jacobite challenges, including Bonnie Prince Charlie’s silver travelling canteen, a targe that also belonged to the prince, and regimental colours from both Jacobite and Hanoverian regiments carried into battle at Culloden.
The oil paintings by Richard Waitt were commissioned in 1713 by Alexander, the Laird of Grant, as part of a larger series depicting prominent clan members. They were created for Castle Grant, the chief's seat near Grantown-on-Spey, intended to impress visitors and convey the Laird’s traditional authority and status as a Highland chieftain.
Shown wearing distinctive Highland dress, the bagpipe and the basket-hilted sword are symbols of their ceremonial positions, emblematic of traditional clan values and customs.
Principal Curator, Renaissance and Early Modern History, Dr Anna Groundwater said:
“We are grateful to Reidhaven Trust for the long-term loan of Richard Waitt’s portrait of 'The Champion to the Laird of Grant'. We are delighted that it has been reunited with 'The Piper' and is now on permanent display, as they once were in Castle Grant. This is not a romanticised version of an imagined past – the figures in their Highland dress are documented as they looked at the time. Together they provide an insight into clan society from a time when this way of life was on the wane.”